Sue Burke, Semiosis, MacMillan, 2018.
Audio version available on Audible.

Semiosis is science-fiction novel, spanning generations on an alien planet. Called "A First contact story", it announces its ambitions very early on. Though I had some niggles with it, I very much enjoyed it.

Saad Z. Hossain, Djinn City, The Unnamed Press, 2017.

I will start straight up with a warning I wish someone had given me: this is the first volume in a fantasy series and it ends on a cliffhanger. Nonetheless, I'm reviewing it because Djinn City was a compelling read, with a rich and detailed world building.

Silvia Moreno-Garcia, Prime Meridian, JABberwocky Literary Agency, 2018 (reprint).

About six months ago I was told of this novella, too late to be a part of the fundraiser and get a copy when Moreno-Garcia released it as an indie novella. Ever since, I've been waiting for its reprint and wider availablity.
So, yes, I know that barely a few weeks ago I reviewed a novel by Moreno-Garcia, but this scifi novella was everything I hoped for, and some more.

Sam J. Miller, Blackfish City, Orbit, 2018.
Audio version available on Audible.

Blackfish City is a near-ish future scifi novel, built upon climate change disasters and a socially conscious discourse. I've had some issues with it, but it's nonetheless a well written story, with interesting character dynamics.

Jen Williams, The Winnowing Flame, Headline.

• The Ninth Rain, 2017.
• The Bitter Twins, 2018.
• The Poison Song, to be published in 2019.

I do not review incomplete series. I do not read incomplete series. And then, the Subjective Chaos Kind of Awards happened.
To give you a more precise picture: since 2017, I had seen a lot of my Twitter correspondents being enthused about The Ninth Rain and I was not so quietly bidding my time. So when The Ninth Rain ended up on our shortlist, I was both relieved I could finally read it and also quite annoyed.
Yes, annoyed. Because now I have to wait for a year before knowing what will happen to those fantastic characters!

Walter Miller, A Canticle for Leibowitz, J.B. Lippincott, 1960 (original publication), SF Masterworks, 1997 (reprint).
Audio version available on Audible.

I couldn't remember if I had read A Canticle for Leibowitz or not. But the fact is that if I did, it was in my early teens, almost thirty years ago, so it was as good as if I hadn't. Cue my "Novels published before 1978" series, a wonderful opportunity to (re) read it.
But I ended up realising that this classic scifi novel was actually highly problematic.
Why am I reviewing it then? It's an interesting novel to debate and it should also be a warning to anyone being told that it's a classic to not go into it blindly.

Third in my series of novels published before 1978.

Nalo Hopkinson, Midnight Robber, Grand Central Publishing, 2000.
Audiobook available on Audible.

I was recently reminded that I often talk about Midnight Robber but that I still haven't reviewed it. I'm delighted to finally being able to as this scifi novel, artfully blending an intimate narrative with a thoughtful take on the power of words and fiction, and an intriguing planet, is definitely not one to be missed.

Hari Kunzru, White Tears, Penguin, 2018.
Available as an audiobook on Audible.

White Tears isn't a fluff and easy read with endearing characters. Nonetheless, it is an engrossing and important fantasy/horror story about cultural appropriation, with a writing style bordering sometimes on the vertiginous.

Silvia Moreno-Garcia, The Beautiful Ones, Innsmouth Free Press, 2018.

The SCKA shortlist keeps on taking me out of my comfort zone and The Beautiful Ones, a fantasy novel by Silvia Moreno-Garcia, a writer I've been wanting to read for a long time, is another story which shouldn't work for me at all but actually does.

Nick Harkaway, Gnomon, William Heinemann, 2017.

Did I like or did I dislike Gnomon? To be entirely honest with you, I'm still not sure. Probably both at the same time.

Juliet McKenna, The Green Man's Heir, Wizard's Tower Press, 2018.
Audio book available on Audible.

I had fallen in love with McKenna's four series of epic fantasy, all set in a fascinating and diverse secondary world. So I was eagerly waiting for this new novel of her which, while still remaining fantasy, is set in our contemporary world, in the English countryside. It didn't disappoint.

Ahmed Saadawi, Frankenstein in Baghdad, Oneworld Publications, 2018.
Translation: Jonathan Wright.

In more ways than one Frankenstein in Baghdad is a novel in conversation both with a literary context and a historical context. And, strangely enough, this fantasy story has common points both with The Underground Railroad by Colson Whitehead and with Frankenstein by Mary Shelley.

Leigh Brackett, The Long Tomorrow, SF Masterworks, 2014.
Audio version available on Audible.
Originally published by Doubleday in 1955.

The Long Tomorrow had been sitting on my to-be-read piles for ages. One of the few recognised female writers during the so-called "Golden Age" of science-fiction, Brackett intrigued me. This novel proved to be interesting to read some 70 years later and also, sometimes, irritating.

Second in my series of reviews of novels published before 1978.

Paul Cornell, Chalk, Tor, 2017.
Audio version available on Audible.

I have some very mixed feelings about Chalk, a fantasy drama written by Paul Cornell, relying on English folklore. And maybe this review is just me trying to untangle them...

Cassandra Khaw, Food of the Gods, Abaddon, 2017.
Audio version available on Audible.

I had already read and enjoyed (and reviewed here) Hammers on Bone, but I had yet to try the Rupert Wong series, also by Cassandra Khaw. As it is shortlisted for the Subjective Chaos Kind of Awards, it was the perfect occasion to dive into it. Food of the Gods (which comprises two novellas, Rupert Wong, Cannibal Chef and Rupert Wong at the Ends of the Earth) proved to be a delightful and funny read, despite some "Eeks!" and some minor nitpickings.

John Ayliff, Belt Three, Harper Voyager, 2015.

Nothing I've read recently has quite made the cut for the blog. So here I was, wringing my hands, "What to review?", when I remembered Belt Three by John Ayliff. I read it a few months back, but at the time I was in a run of very strong stories and it fell off the podium despite some solid qualities. I'm glad this space opera got now its second chance because it is well worth a look.

Ellen Klages, Passing Strange, St Martin's Press, 2017.

I'm pretty sure there are many readers of this blog who will look at the cover of Passing Strange with raised eyebrows, wondering how come I'm reviewing a novella that, quite evidently, features heavily a romance, since romance isn't my cup of tea at all.
Let's face it: I'd never have read Passing Strange had it not ended up on the SCKA shortlist. And my initial reaction was "Meh". It took some conversation with fellow readers of the SCKA to go past my disinterest to consider the objective qualities of this fantasy story, which, in the end, make it a novella well worth reviewing.

Tade Thompson, The Murders of Molly Southbourne, Tor, 2017.

I had been very impressed by Rosewater, Thompson's previous novel (1), so I had to read this new story. Nonetheless, I was a bit wary of reading this novella that Tor, the publisher, presented as horror. It turns out that, yes, there is gore. But it's not so much the gore than the very dramatic story that makes it so striking.

Wendy Wagner, An Oath of Dogs, Angry Robot, 2017.
Audiobook version available on Audible.

Let's face it: after having finished An Oath of Dogs, I wasn't entirely convinced I would review it. But as I read other books, I realised that the characters and the story remained with me. To me, this is the sign that there is to a novel more than I first perceived, and it means that it is well worth a review.

W. E. B. DuBois, "The Comet", Darkwater, 1920.
Audiobook available on Audible.
Reprinted in Dark Matter: The Anthology of Science Fiction, Fantasy and Speculative Fiction by Black Writers, edited by Renee Sheree Thomas and Martin Simmons (2000).

It's not my habit to read nor review short stories. They are, as it says on the tin, a tad too short. Nonetheless, I really wanted to read "The Comet", which is not only considered as a scifi classic but also written by one of the earliest Black American scifi writers. I wasn't disappointed.

First story in my series of reviews for stories written before 1978.